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The windows of the Church of the Good Shepherd were installed in the late 1950's. Rebuilt after the hurricane of August 5, 1918, the church had Tiffany art-glass windows (left), some examples of which are preserved in the sacristy and in the Transition Hall, the corridor leading to the Hardtner Hall. 

The newer stained glass windows were part of an ambitious building program which took place under the leadership of Fr. Robert Crandall. During the 1950's, he oversaw the construction of the church's bell tower, expansion of the Bishop Noland Episcopal Day School, the founding of St. Michael and All Angels as a mission church and then as a parish, and the renovation of the church itself, a project which included not only the windows, but
the wrought-iron lanterns, the reredos, and the figure of Christ behind the Altar. 

The windows were produced by the J. Wippel Company of Great Britain except for the Nativity Window, made by the J. R. Lamb Company of New Jersey. All the Wippel windows in the church feature the same basic design, usually a central scene against a blue backdrop, two laurel wreath medallions at the bottom and another medallion at the top. Because the church is specifically dedicated to Christ the Good Shepherd, almost every window in the nave depicts the figure of Christ, who always wears purple, red, or both. The one exception is the Resurrection Window, in which Christ is represented as the Lamb of God. 

In the narthex doors are seen small windows depicting the heraldic symbols of the four Evangelists: St. Matthew, a human figure; St. Mark, the lion; St. Luke, the winged ox; and St. John, the eagle.

Joe Magedanz

 

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